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we grade each and everything here 

by Hannan Khan

(featured in the poetry collection "Isn't Cooked is Cursed," found within the anthology Native Voices II: The Cry of Creation)

Hannan Kahn’s poem "we grade each and everything here" is a stark critique of rigid education, cultural control, and silenced identity. Through haunting classroom imagery, the poem exposes the toll of perfectionism, gender norms, suppressed emotion, conformity, and institutionalized obedience.

good morning, children 
poise in line, don’t whisper, whisper in line, don’t stand out 
lace your shoes, tether your tongues 
don’t scream, don’t shout, don’t feel 

today we master: 
how to enumerate gpa while lusting the grave 
how to spell ‘perfection’ with a razor blade 
how to pass without passing out 
how to grin while perishing inside 
how to perish while grinning outside 

you’ll memorize: 
that a skirt one inch too high is a wickedness 
that a boy who cries is weak 
that love is grimy, crave is filth 
that textbooks matter but therapy doesn’t 
that silence is an obligatory subject and you better ace it 

Islamiyat: 
recite verses like bullets, don’t probe the trigger 
heaven is for the obedient 
girls? veil your vices in white 
don’t ask why Adam sinned—just don’t be Eve 
hell is ritual, hell is repetition, hell is you 
your gasp is weighed, your body? already guilty 

Urdu: 
we peruse Ghalib, but not fathom him 
pen essays on sacrifice while slicing your tongue 
poetry bleeds, but yours have to dry 
every amour slaughters in a funeral 
your metaphors and similes are censored, your utterances, sterilized 

Biology: 
we silhouette the body, a crime scene 
reproduction without pleasure, orgasm without cite 
we quote the penis, never tutor of want 
the clitoris? doesn’t nestle here 
hearts beat, but we only gauge pulse 
desire is dissected, not discussed 

today’s homework: 
script an essay on ‘my aim in life’ while 
suppressing your panic attacks 
ingrain formulas, forget yourself, 
lodge before 8 am, don’t lodge to your sadness 
assembly dismissed; now pray, pray to please, 
pray to pass, pray for slumber 
pray for muteness, pray to not rouse up tomorrow 
or worse—wake up the same 

postscript (not for marks): 
if you ever jot down a suicide note, make sure it’s grammatically 
neat and clean handwriting, proper punctuation 
we grade each and everything here 
even the end too

Hannan Khan was the grand prize winner of the Native Voices 2025 Award. Hannan is a nefelibata, poet, and scholar of literature & linguistics from Pakistan. He combs through moments of love, death, delirium & relational complexities, seraphically tracing what’s breathed and what flickers unbreathed. His pen grooves between haibun & heartbreak, ghazals & ghost games, intimacy & apocalypse. When he craves reprieve, he devours dark thrillers like he’s dissecting crime scenes — psychological, raw, unpredictable. He thrives on distorting the ordinary until it sings. Sips coffee, reads Manto & lets the world unravel. Featured in Failed Haiku, IHRAM Literary Magazine, SpecPoVerse & forthcoming in Graveside Press. Poetry is his altar; Fiction, his rebellion. He writes to unsettle, to unearth, to unlace.

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